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Garden of Delete

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4.6 4.6 out of 5 stars 53 ratings
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Warp Records

About us

For 30 years Warp Records has been a synonym for adventures in sound and vision, consistently furthering their position as one of the most creative independent record labels in the world. With a rich legacy and consistently groundbreaking vision of the future, Warp and its artists traverse mediums to explore new spaces. Aphex Twin, Brian Eno, Flying Lotus, Hudson Mohawke, Kelela and Squarepusher are just a few who represent the label.

Track Listings

1 Intro
2 Ezra
3 Eccojamc1
4 Sticky Drama
5 SDFK
6 Mutant Standard
7 Child of Rage
8 Animals
9 I Bite Through It
10 Freaky Eyes
11 Lift
12 No Good

Editorial Reviews

Through an intricate unveiling of song snippets, film clips and a rabbit hole of internet postings involving a mysterious character named Ezra and world of music revolving around the band Kaoss Edge, Daniel Lopatin has revealed his latest release as Oneohtrix Point Never, Garden of Delete. After spending time on tour with Nine Inch Nails and Soundgarden, Lopatin found himself gravitating towards the idea of creating a more rock inspired record. Building up from simple piano arrangements, the songs play with the idea of a 3 minute, “one-point-perspective” of a traditional rock song, but through the lense of Oneohtrix Point Never. Songs like “Ezra”, “Lift” and lead single “I Bite Through It” all hint at a verse-chorus-verse structure of a rock song, buried beneath layers of abstraction and manipulation one would expect from an OPN track, while the album’s magnificent 8 minute long centerpiece “Mutant Standard” shifts and changes, finding it’s closest rock relatives amongst prog and jam bands. Like Aphex Twin and the Prodigy before him, Lopatin manages to meld these seemingly distant sounds into a sound that is truly his own. Outside of his work as Oneohtrix Point Never, Lopatin founded Brooklyn-based Software Recording Company and has collaborated with a multitude of talented artists, directors, musicians and leading arts institutions; from Sofia Coppola to Ariel Kleiman, Antony & The Johnsons to Nine Inch Nails, Tate Modern to MoMA.

Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 12 x 12.6 x 1 inches; 8 ounces
  • Manufacturer ‏ : ‎ Warp Records
  • Item model number ‏ : ‎ WRP 266
  • Original Release Date ‏ : ‎ 2015
  • Date First Available ‏ : ‎ September 3, 2015
  • Label ‏ : ‎ Warp Records
  • ASIN ‏ : ‎ B014V9M7RY
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 2
  • Customer Reviews:
    4.6 4.6 out of 5 stars 53 ratings

Customer reviews

4.6 out of 5 stars
53 global ratings

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Top reviews from the United States

  • Reviewed in the United States on December 5, 2015
    Difficult to describe, even more difficult to explain. Better than the already-fantastic R Plus Seven, exchanging its "calculated" for "organic", and its seeming "maturity" with a theme of "immaturity". First half of the album is great, but it's the second half of the album (Animals, I Bite Through It, Freaky Eyes, Lift, and No Good) that make everything click for me, with Freaky Eyes being my favorite track.

    The vinyl packaging is very nice - there is not a booklet, but rather the pages that are in the CD booklet are printed inside the gatefold and on both sides of the vinyl sleeves. While I would have appreciated a separate booklet, it's not a huge deal for me. The heavy vinyl plays nicely, but it seems like Side D on my copy is unusually noisy.

    All in all, the best album I have heard this year and possibly longer.
    6 people found this helpful
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  • Reviewed in the United States on November 21, 2015
    It is loud and quiet, hard and soft, old and new. It often feels strangely familiar, but in a way that leaves you wondering how and why that is the case.

    It's like being in a dream where you're told it is your house but all the floors and walls seem different. You don't recognize the furniture or even the people sitting in it. All of these things twist a knot in your stomach and you know you should turn and run but instead you sit and relax and let it take you wherever it wants.
    11 people found this helpful
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  • Reviewed in the United States on June 8, 2018
    I am a professional jazz bass player. I love electronic music and I LOVE this record - it's one of my favorite albums period. The soundscapes range from playful to frighteningly dark. You never know what is going to happen next; but it's not hard to listen to. It's a fun adventure. If you love interesting electronic music, get this!
  • Reviewed in the United States on December 22, 2015
    If you like Oneohtrix, this is fantastic stuff, if you don't, this would be decent album to get to know him on, though Beautiful Rewind would be a better album to get to know him on.
  • Reviewed in the United States on June 29, 2016
    I didn't really like it at first but kept coming back to it, found myself humming bits of it unconsciously. Amazing album, the best always require repeated listening.
    One person found this helpful
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  • Reviewed in the United States on December 11, 2018
    its music
    3 people found this helpful
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  • Reviewed in the United States on December 31, 2016
    Appreciated gift.
  • Reviewed in the United States on August 9, 2016
    one of the best and most original albums i have ever heard

Top reviews from other countries

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  • Aaron McEntee
    5.0 out of 5 stars Great album
    Reviewed in Canada on December 29, 2016
    Amazing sounds from this New York artist
  • Axe
    5.0 out of 5 stars Eine seltene Perle...
    Reviewed in Germany on September 28, 2016
    Ein Album welches seine Schönheit nicht beim ersten hören Preis gibt. Doch je häufiger es durch die Boxen schallt umso schöner und brillanter wird es.
    Die Klangwelten fließen durch den Kosmos und werden attackiert, maskriert, zerstört.
    Doch was zerstört wird wächst hier wieder ganz prächtig zu etwas größerem zusammen.
  • Luke
    5.0 out of 5 stars A remarkable album, just not quite god-tier.
    Reviewed in the United Kingdom on November 18, 2015
    Seeing as I'd rather let the music speak for itself (and I wouldn't even know how to do any kind of justice to the complex tapestry of sounds found on this record by attempting to verbalise them), all I can really do is compare G.O.D. to previous OPN albums that I love:

    Returnal was among the best new albums I heard in 2010.
    Replica is among the best new albums I have heard this decade.
    R Plus Seven is among the best albums I have ever heard.
    Garden of Delete is among the best new albums I have heard in 2015.

    (*one could replace the word "best" with "most interesting" and the same would be true.)

    However, more than my subjective appraisal of the supposed quality of this piece of work, the fact that Lopatin continually manages to progress his sound so outstandingly with each Oneohtrix release is testament to the man's creative mind and tireless quest to provide his audience with something more, time after time, and not just rest on his laurels. Each OPN release post-Rifts has felt like it's own unique soundworld, with not just the timbral palette being idiosyncratic, but the overarching structure and emotional resonance remaining remarkably consistent throughout the entire duration of the work. Of course, there are vestiges of his previous output harboured within each subsequent record, but these are vastly outweighed by the amount of change to every aspect of the music, all of which sounds so organic, as if the style is arrived at by a natural evolutionary process rather than a conscious effort on the part of its creator.

    I'll also add that most of my opinions of OPN albums have benefitted from numerous listens, with the music being so rich and dense as to make it unfeasible to pick up on every little detail on the first couple of plays. Each album has gone up immeasurably in my estimations with each re-listen, allowing me to become attuned to the essence of the record and discover the finer brushstrokes hidden away on the surface of the sonic canvas.

    Finally, whilst I don't find G.O.D. to be as beautiful or emotional as other albums by Lopatin, it nevertheless contains enough moments of beauty and emotion to be well worth anyone's time.

    RIYL: Electronic music you can't dance to; pop music you can't sing along to; rock music you can't play air guitar to; ambient music you can't fall asleep to.
  • Renato
    5.0 out of 5 stars Five Stars
    Reviewed in the United Kingdom on May 25, 2017
    Very good and fast shipment (considering the item sould come from Japan).
  • GOGOL
    5.0 out of 5 stars HUGE ++
    Reviewed in Canada on December 30, 2015
    Best album of 2015,