Amazon Prime Free Trial
FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with FREE Delivery" below the Add to Cart button and confirm your Prime free trial.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited FREE Prime delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
$15.98$15.98
Ships from: Amazon.com Sold by: Amazon.com
$12.21$12.21
Ships from: Amazon Sold by: Green 2 Green
Image Unavailable
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Bitches Brew
Reissued, 2 CD, Extra Tracks, Remastered
Return this item for free
We offer easy, convenient returns with at least one free return option: no shipping charges. All returns must comply with our returns policy.
Learn more about free returns.- Go to your orders and start the return
- Select your preferred free shipping option
- Drop off and leave!
Learn more
Return this item for free
We offer easy, convenient returns with at least one free return option: no shipping charges. All returns must comply with our returns policy.
Learn more about free returns.- Go to your orders and start the return
- Select your preferred free shipping option
- Drop off and leave!
Frequently bought together
Customers who viewed this item also viewed
From the brand
Track Listings
Disc: 1
1 | Pharaoh's Dance |
2 | Bitches Brew |
Disc: 2
1 | Spanish Key |
2 | John McLaughlin |
3 | Miles Runs the Voodoo Down |
4 | Sanctuary |
5 | Feio - Miles Davis feat. Wayne Shorter, John McLaughlin, Chick Corea, Joe Zawinul, Dave Holland |
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.6 x 4.9 x 0.4 inches; 3.2 ounces
- Manufacturer : Sony Legacy
- Item model number : 2012449
- Original Release Date : 1999
- Run time : 1 hour and 46 minutes
- Date First Available : December 7, 2006
- Label : Sony Legacy
- ASIN : B00000J7SS
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #7,704 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #10 in Avant Garde & Free Jazz (CDs & Vinyl)
- #17 in Jazz Fusion (CDs & Vinyl)
- #2,988 in Pop (CDs & Vinyl)
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
One Of Miles Davis’ Most Important Albums
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
- Reviewed in the United States on March 28, 2006In August of 1970, Miles Davis changed the face of jazz, yet again, in the recording of "Bitches Brew". It is an album that receives a lot of attention, both positive and negative-- for some, it's the end of an era of greatness, for others, it's the beginning, and still for others, it's a pale imitation. But what "Bitches' Brew" is clearly is a statement by one of the most respected jazz musicians and an album that would change the landscape of jazz forever.
Davis was by 1970 no doubt totally alientating his crowds-- having surrendered the ballads and hard bop pieces that made his reputation first for the new compositions of his second great quintet, Davis further confused and alientated his audience by his use of electric instruments in establishing the soundscape of "In a Silent Way" the year before. In the interim, Jimi Hendrix brought distortion and feedback to mas attention and Tony Williams had a jazz group playing rock and roll. Davis took all of these ideas and, like Hendrix brought distortion to the masses, brought rock music to jazz in a way no one else could do.
For the album, Davis began with his working quintet-- then saxophonist Wayne Shorter (performing exclusively on soprano here), pianist Chick Corea (heard here on electric piano), bassist Dave Holland and added to them guitarist John McLaughlin-- Davis courted McLaughlin endlessly and he's present on virtually all of Davis' early electric albums. Davis also doubled reeds (Bennie Maupin on bass clarinet), keys (Joe Zawinul, with Larry Young also playing on a couple pieces), bass (Harvey Brooks) and drums (Lenny White), as well as adding percussion to the mix (Don Alias and Jumma Santos). The result is a dense stew that, contrary to the notion of this being a jazz/rock fusion album, creates a structure that is wholly unique-- there is always something going on, sometimes several things, with the wash of keys and percussion providing a backdrop on which the horns and guitar and emerge from the backdrop to provide lead voices. For his part, Davis seems unnervingly inspired, either by the sound or the music or the musicians, his playing is superb, exploring his upper register and playing with a passion and energy. But really it's the group performance that shines-- the band (McLaughlin in particular) find ways to counter, backup, reply and encourage the lead voice or to provide a constant blend and shifting sound base where no one is really the lead.
The music itself seems most similar to the sort of compositions on "Kind of Blue"-- rough sketches or simple themes serving as springboards for soloing. Several of the pieces are extended (the first disc consists of two tracks both extending past 20 minutes and three of the second disc's four tracks run past 10 minutes), but the pieces never feel overlong-- instead they feel like extended suites as ideas turn into themes and back into ideas. Individually, the tracks matter less than the whole, though I've got my favorites (the rabid jam of the sublimely titled "Miles Runs the Voodoo Down" being the high point for me), but there's no wasted time, no material not worthwhile, it's pretty much fantastic start to finish.
This reissue gives the album the sonic quality it deserves-- anyone who's got the old issue of this (withe purple border) really has no idea what you're missing-- the sound here is fantastic, crisp, clean and fresh, well worth the upgrade, and adds a bonus track from a session at the beginning of 1970 ("Feio") as well as extensive liner notes excerpted from "The Complete Bitches' Brew Sessions".
"Bitches' Brew" is often mentioned among the critical recordings that everyone should own, the best of jazz and whatnot. These things are all true, but despite it's reputation as a jazz/rock fusion label, the album is a bit less accessible then most people would assume. While I love this record, it's extended tracks and focus on improvisation can make this a difficult listen for someone unfamiliar with jazz. Conversely, it's constant ready-to-boil stew can make this equally difficult for someone used to the looseness and economy of sound on a jazz recording. In the former case, Davis' "A Tribute to Jack Johnson" would likely make a better intro-- it's a bit extended, but it's essentially an album of blues jams, in the latter, "In a Silent Way" with it's sometimes minimalist approach may work better. Regardless though, albums rarely get better than "Bitches' Brew", and it is something everyone should have.
- Reviewed in the United States on January 21, 2012I first was introduced to jazz by my best friend back around the time this album came out. I think the first album I heard was Live Evil and then heard this one shortly thereafter. (he also got me interested in Mahler but that is another subject)
This album was one of the first in the new jazz genre known as fusion. I wasn't familiar with jazz at all so I had no context as to what I was listening to but I liked it. A lot.
After listening to this a lot in the 70s I didn't listen to music much for many years and then listened to classical for quite a while.
But in the last couple years I returned to jazz and began building up a cd collection. I didn't get this one or Live Evil for a long time because I had listened to them so much in the past. After having been away from jazz for so long I was like a kid in a candy store with all this great music in the last several decades and now available in a digital format that you can load on your computer and listen to on the go. For people who are not very familiar with jazz I would recommend in the more mainstream venue: McCoy Tyner, Keith Jarrett, Michael Brecker, Steps Ahead, John Coltrane, Joe Henderson, Bobby Hutcherson, Miles Davis, Joey DeFrancesco. As to fusion jazz I would recommend: John McLaughlin, Steps Ahead, Weather Report, Miles Davis. For big band I would recommend: Gil Evans, Maria Schneider. (I used to have some Duke Ellington and Stan Kenton in the vinyl era that I liked but haven't delved back into those yet)
OK, anyway, now that I have gotten familiar with a lot of jazz, both mainstream and fusion, where does Bitches Brew fit in?
In my opinion it is one of the masterpieces in the fusion genre. In terms of composition, the music has the sophistication of the best jazz works for a large group (the best practitioner of which in my view is Gil Evans). It occurred to me, hey maybe Gil Evans was involved in this album. (he was the arranger on some previous Miles Davis works and Evans has done a lot of fusion.) But no, judging from the liner notes it appears he wasn't involved. Anyway, the composition in these songs is very sophisticated and beautiful.
Davis' use of of multiple pianos, often playing very different melodies but ones that interact in an intriguing way, contributes greatly to this incredible orchestration. There are beautiful melodies from the pianos (Joe Zawinul, Chick Corea and Larry Young), and the reed instruments (Wayne Shorter and Bennie Maupin). There is also fine fusion guitar from my favorite jazz guitarist, John McLaughlin.
The work of some of the players on this album is I believe the best of their careers, or at least equal to anything else they did.
For those who love jazz including the electric fusion version of which this album was one of the pioneering works, this is one of the absolutely essential recordings to have in your collection.
Top reviews from other countries
-
QuinderéReviewed in Brazil on March 2, 2024
5.0 out of 5 stars um marco na história da música ocidental
magistral, um disco de jazz fusion para os amantes desta arte. Não é para os fracos e principiantes. Aprecie sem moderação.
-
Goose 555Reviewed in Mexico on October 10, 2023
5.0 out of 5 stars Nuestro querido Miles. INSUPERABLE.
Miles Davis, una obra de arte .Jazz en su básica matemática sonora hasta lo sublime de la acústica. Un trabajo musical entre mundos y dimensiones.....
Bravoooo 👌
- Denise WyseReviewed in Canada on July 17, 2023
5.0 out of 5 stars Mofi pressing is miles above the rest
Review is for the mofi pressing of the studio version
Yes, it is pricey
Yes, it may have been transferred to ds file prior to mastering
Even so, this issue brings the music to life much more vividly than any other pressing to date
As for the live Bitches Brew, an excellent recording of the Isle of Wight concert from 1970 plus 3 live tracks from Newport make this as essential as the studio version.
- IPHotoReviewed in the United Kingdom on December 27, 2024
5.0 out of 5 stars Great Album
Great Album, arrived on time.
-
francesco m.Reviewed in Italy on December 7, 2024
5.0 out of 5 stars WOW
Dopo tutti questi anni, ancora mi sorprendo alla fine di ogni facciata a dire WOW, il miglior disco di Miles assieme a Kind of Blue ma questo è come un’orgia sonora, pensare che quando è uscito (avevo 13 anni) lo ritenevo inascoltabile…se ci ripenso me ne vergogno.