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Collector's Edition
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Editorial Reviews
The NEW Collector's Edition is a 2 CD and 1 DVD package in a hard bound book with never-before-seen photos documenting the release. It includes 3 previously unreleased tracks and 4 songs recorded live at the Tokyo Dome in 2013. The DVD features footage from release events in Las Vegas, New York, London, plus behind the scenes films and much more. The Collector's Edition is the definitive package that allows fans to fully immerse themselves in all things NEW.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 7.48 x 5.98 x 0.43 inches; 8.47 ounces
- Manufacturer : Capitol
- Item model number : 30474176
- Original Release Date : 2014
- Date First Available : July 13, 2014
- Label : Capitol
- ASIN : B00LRHK3I4
- Number of discs : 3
- Best Sellers Rank: #10,802 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #5,334 in Rock (CDs & Vinyl)
- Customer Reviews:
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PAUL McCARTNEY "NEW"
Top reviews from the United States
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- Reviewed in the United States on October 18, 2013After watching Paul McCartney preview his new NEW album on JIMMY KIMMEL LIVE and LATE NIGHT WITH JIMMY FALLON, I knew I was going to be in for a treat when I purchased the CD. It did not disappoint; NEW is one of Macca's finest efforts. Four producers were used: Mark Ronson, Paul Epworth, Ethan Johns (Glyn's son), and Giles Martin (Sir George's son, who has worked on many Beatle-related projects in the past, including the Love (CD + Audio DVD) soundtrack).
The Deluxe Edition has two bonus tracks; "Turned Out," and "Get Me Out Of Here." There is also a hidden track, a piano-driven ballad called "Scared," that appears at the end of the disc, on both the Standard Edition (after "Road") and the Deluxe Edition (after "Get Me Out Of Here").
Several versions of the Deluxe Edition are available. Best Buy has one with photo cards and an album laminate; FYE, and several other retailers, have a version in a light cube where Paul's signature changes colors. I purchased the Target version, which has a bonus DVD titled "A Rendez-Vous With Paul McCartney," featuring highlights from the 2013 OUT THERE tour, and is hosted by the cute-as-a-button Geneviève Borne, a French-Canadian TV personality and fashion model. Could this be a tease for a future OUT THERE DVD?
Paul indicates in the liner notes that several other songs were recorded that did not make the cut, which will probably be issued somewhere down the road. One of these, "Struggle," appears on the Japanese version of NEW.
UPDATE: Told ya so! A new collector's edition of NEW was issued on October 28, 2014, with the aforementioned "Struggle" and other bonus material. From Macca's Web site, here are the contents:
COLLECTOR'S EDITION [2 CDs + 1 DVD]
Disc 1 (same as previous version)
1. "Save Us"
2. "Alligator"
3. "On My Way To Work"
4. "Queenie Eye"
5. "Early Days"
6. "New"
7. "Appreciate"
8. "Everybody Out There"
9. "Hosanna"
10. "I Can Bet"
11. "Looking At Her"
12. "Road"
13. "Turned Out"
14. "Get Me Out Of Here" + "Scared" (hidden track)
Disc 2
1. "Struggle" (previously available only in Japan)
2. "Hell To Pay" (previously unreleased)
3. "Demons Dance" (previously unreleased)
4. "Save Us" (Live at Tokyo Dome 2013)
5. "New" (Live at Tokyo Dome 2013)
6. "Queenie Eye" (Live at Tokyo Dome 2013)
7. "Everybody Out There" (Live at Tokyo Dome 2013)
Disc 3 - DVD
01. Something New ("making-of" documentary)
02. New Interview (Bang & Olufsen Presents The Living Room Tour: Launching Paul McCartney's Album NEW)
03. The Promo Tour
03.1. MGM Grand for iHeartRadio Music Festival, Las Vegas, 21st September 2013
03.2. Hollywood Boulevard with Jimmy Kimmel, Los Angeles, 23rd September 2013
03.3. NBC Studios with Jimmy Fallon, New York, 7th October 2013
03.4. Times Square, New York, 10th October 2013
03.5. The Shard, London, 15th October 2013
03.6. BBC Maida Vale Studios, London, 16th October 2013
03.7. The London Studios with Graham Norton, London, 17th October 2013
03.8. Covent Garden and HMV Oxford Street, London, 18th October 2013
04. Music Videos
04.1. "Queenie Eye"
04.2. "Save Us"
04.3. "Appreciate"
04.4. "Early Days"
04.5. Making Of "Queenie Eye"
04.6. Making Of "Appreciate"
04.7. Making Of "Early Days"
Total DVD Running Time: 1 hour, 58 minutes
I received the new Collector's Edition from Amazon, and it looks and sounds great. The three new songs on the bonus audio CD are quite good. "Struggle," as other reviewers have noted, is a very electronic-sounding track, almost Japanese-like (which is probably why it was originally issued exclusively in The Land Of The Rising Sun). "Hell To Pay" is similar in style to 2005's "Fine Line," but rocks much harder; those critics who claim that Paul doesn't rock hard enough should listen to this track. "Demons Dance" is another rocker, with a "Lady Madonna"-style piano lick. The four live tracks from Tokyo Dome are excellent and hopefully will be available on DVD/Blu-ray someday. The bonus DVD is terrific as well; the "making-of" documentary SOMETHING NEW is fascinating to watch (was the title just coincidental, or purposely named after The Beatles' third Capitol album?). The subsequent Bang & Olufsen "living room" interview and the promotional tour segments are also good, although I wish that some of the musical performances, particularly from the Kimmel and Fallon shows, had been retained. Legal issues may have gotten in the way. And it's nice to finally have the four music videos, and the three "making-of" videos on DVD at last, instead of having to watch them on YouTube. Initially, I wondered why there was no "Making Of "Save Us"" video, but that video simply syncs the audio of the song to concert footage, and is not a "production video" like the other three.
Whether or not you own one of the previous editions of NEW, this version is worth the extra money because of the nice hardcover book and the extra bonus material. I'll still keep the Target version, though, because it includes Paul's live performances from the OUT THERE tour, and also because I love Geneviève Borne...
Paul has issued multiple versions of his albums before. Nineteen eighty-nine's FLOWERS IN THE DIRT had several versions, including the original version, the World Tour Pack box set, with tour memorabilia, and the "Party Party" bonus single; the 2-CD Japanese import, which featured the exclusive track "P.S. Love Me Do," "Party Party," and several other CD-single tracks; and the remastered 1993 "Paul McCartney Collection" version, which featured three bonus tracks. There was the European import Off the Ground - The Complete Works, which had a bonus disc of 12 CD-single tracks; and most recently, there were three versions of 2007's MEMORY ALMOST FULL: the standard edition, the first Deluxe Limited Edition, in DVD-type packaging, which contained a second CD with three bonus tracks and a Paul interview, along with a fold-out poster with complete lyrics (other MAF editions only had abbreviated lyrics), and the second Deluxe Edition, containing all 16 songs on one CD, though not the Paul interview, plus a bonus DVD with music videos and live performances.
Anyway, back to NEW. Whatever version you choose, from Amazon or someplace else, you will love this album; Macca's still got more talent at 72 than most younger performers a third of his age. And no twerking required (Miley Cyrus, put your clothes back on!)
- Reviewed in the United States on October 19, 2013When Paul McCartney releases a new album, his fans find themselves in the midst of a contradiction. On the one hand, being a McCartney devotee means that you've long since stopped paying attention to what critics have to say about his post-Beatles career. On the other hand, at some level you really want the critics, and the general public, to like him, damn it! You want them to give him his due as one of the greatest songwriters of all time, a creative force whose every album contains at least a handful of tracks (and, often enough, more than a handful) that can stand quite comfortably with his 1963-1970 output, who's still more than capable of great things. Especially since we know that the critical bylines--that Paul too often commits half-baked ideas to tape, that he works better with an editor or collaborator to push him out of his comfort zone, that he's sometimes content to coast on his undeniable melodic genius--are actually true in a lot of ways.
And so, as a friend observed recently, we await each new record with a mixture of elation and trepidation. (After all, Paul sets a high standard - nobody likes to be disappointed.) But after listening many, many times to Paul's latest record, NEW, in the past week, I think we can set aside trepidation and give in to elation. Because this is a great record.
What most impresses me about NEW is the musical richness that's evident throughout the album. "Save Us" opens the record with a potent two-and-a-half-minute burst of rock n' roll, propelled by a crunchy riff and tight harmonies. The mellotron-draped "Queenie Eye," with lyrics drawn from a Liverpudlian children's rhyme and a raucous piano drawn straight from The White Album, constitutes a minor masterpiece. The folky "Early Days" may be the album highlight for me, a sweetly emotional yet unsentimental look back at Paul's teenage years, set against a clean, folky backdrop. But then there's the title track, which, with its bouncy harpsichords and playful horns, would've scaled the charts in 1967. In these songs, Paul's much-lauded mastery of melody is wedded to a meticulous attention to sonic detail that really pays off.
It's not NEW's highlights that carry it, however, so much as its consistently high standards of songwriting and production. None of the aforementioned gems occupy quite the same echelon as latter-day classics on Flaming Pie (1997) or Chaos and Creation in the Backyard (2005), for instance. But the rest of the album is so good, you barely even notice that. Every song is fully realized, brimming with inventive arrangements, impeccable harmonies (even for Paul), and atmospheric variation - witness the difference in tone (though not quality) between the joyous, up-tempo "Turned Out," the wispily ethereal "Hosanna," and the industrial, experimental (for Paul at least) "Appreciate." Even on "filler" cuts like the humdrum ballad "Looking at Her" and the RAM-like throwaway "Get Me Out of Here," precise vocal arrangements and electronic breaks keep the proceedings exciting.
Alright, sure, Paul's propensity for lyrical laziness rears its head now and again - for example, both "Alligator" and "Everybody Out There," while great tunes in their own right, might've benefited from revision. But that's decidedly the exception, not the rule, a question not of salvaging bad songs but rather of improving good ones. And interestingly enough, the critics have taken note: Allmusic.com's review of the album calls it "one of the best of McCartney's latter-day records." To be fair, the critics seem to have selective amnesia, insofar as they've been saying the same about every original album Paul has released since 1997. But this is simply further proof that at 71, Paul McCartney, far from inching his way into retirement, is alive and kicking, still capable of coming up with something NEW.
Top reviews from other countries
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Jose Luis MerinoReviewed in Mexico on October 4, 2024
5.0 out of 5 stars Un auténtico clásico.
Después del relajado y con toques de jazz Kisses on the Bottom, Paul Mccartney vuelve al estudio y con su banda nos proporciona este gran álbum, que incluye los ya clásicos Save Us, Queenie Eye y la propia New (éstas tres interpretadas en el concierto en nuestro país en 2017 y la última en 2023). La edición contiene un inserto con las letras de las canciones y detalles técnicos de la grabación, además de que el disco es en un tono rosa muy bello.
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Bruno Duarte MouraReviewed in Brazil on August 21, 2023
5.0 out of 5 stars New Deluxe
Edição em digipack trifold, bem fininho. Não se fazem embalagens exclusivas deluxe como antigamente.
Bruno Duarte MouraNew Deluxe
Reviewed in Brazil on August 21, 2023
Images in this review
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BLASTERReviewed in Spain on October 22, 2023
5.0 out of 5 stars MARAVILLOSO
Maravilloso.
Paul McCartney. El auténtico genio de The Beatles.
- DominicReviewed in Canada on December 9, 2013
5.0 out of 5 stars Can't believe how GREAT it is.
FYI: I am 40 years, grew up with my parents playing the Beatles and I have later followed McCartney's solo career. Should I also point out that I have a collection of CD from Enya to Metallica? Anyway!
I have to repeat the title: I can't believe how great this one is. I am tempted to write it's "surprisingly" good. I have liked most of McCa's solo stuff, but there were always a couple of songs in some albums that weren't so....(you get me), but on this one they are all good. This album is not just good, it's GREAT! My 70 year old Dad loves it too and my 7 year old son loves it as much as we do.
My only regret about McCartney is that he doen't play enough of his solo stuff in concert. I know, most people want to hear the Beatles and Wings' hits, but I wish he would do a special concert called "The Solo years" or something, because about 5 songs on NEW would be great to hear live and not only the title track.
Enjoy ( I know you will)
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AlessandroReviewed in Italy on October 23, 2013
5.0 out of 5 stars "Save us now" "Salvaci adesso"!
Che Paul McCartney sia un grande artista non c'è alcun dubbio, che era in gran forma lo avevo visto all'Arena di Verona, che pubblicasse un nuovo album di inediti potevamo averne fede, ma non certezza. E, invece, "New" è uno degli album più belli della carriera solistica di Paul McCarteny, equibarabile a "Ram", "Band on the run","Tug of war", Flowers in the dirt", "Flaming pie", Chaos and creation in the backyard"! La produzione è curatissima, altrettando i suoni che rendono quest'album moderno e nostalgico al contempo. Paul è maestro nell'invenzione della linea melodica di ogni sua canzone: "New" è un lavoro carico di passione, ottimismo e grinta, visibile già nell'incipit sonoro di "Save us" e "Alligator"! "On my way to work", Early days" e "Hosanna" consegnano il lato acustico e nostalgico di Paul, mentre "New", la canzone che dà il titolo all'album, è una classica e perfetta composizione beatlesiana con un finale strumentale sorretto da cori e trombe che citano chiaramente i Beach Bpys di "Pet sound". "Quennie eye" è potente e cripitca, martellata dal classico ritmo del piano alla McCartney, da un coro campionato e da una batteria che rimanda a Ringo Starr, il bridge del brano è dance-new age. "Appreciate", "Looking at her" e "Road" sono le più sperimantali dal punto di vista sonoro, ma se vogliamo conoscere il Paul sperimentare indirizziamoci su altri album in cui McCartney cela la sua vera identità con Pseudonimi (The Fireman per fare un esempio"). "Everybody ot There" e "I can bet" ci ricordano che McCartney sa comporre brani accattivanti e orecchiabili con una facilità strabiliante. "Turned out" e "Get me out of here" sono presenti soltanto nella versione deluxe, una sorta di bonus traks... che preparano alla traccia fantasma "Scared", spettrale e nuda, solo voce e piano, riuscitissima e che completa nostalgicamente l'apertura briosa di questo ottimo lavoro. Grazie Paul... ci ha salvati... adesso!